I’d like to direct fans of this young blog over to Documentary Channel Blog this week on the eve of the Toronto International Film Festival, from which I will be filing interviews with filmmakers and subjects where I’m able, while also reviewing films for Movies.com and Spout. I hope you all like and continue supporting my attempt to shed more light on the documentary form through the various outlets I am lucky enough to write for. Maybe one day I can even keep Nothing But the Doc running heavily along with the others.

P.S. If you don’t have DirecTV or Dish Network and so can’t get Documentary Channel, write your cable provider and ask for them to carry it.

Based on these glimpses I’m getting a vibe that it’s somewhere between Wiseman’s “Titicut Follies,” minus the abuse, and any one of the non-narrative eclectic docs out of Finland in recent years (“Steam of Life,” “Living Room of the Nation,” etc.). You can check out all three of those videos after the jump, but first an official synopsis:

THE PATRON SAINTS is a disquieting and hyperrealistic glimpse into life at a nursing home. Bound by the candid confessions of a recently disabled resident, the film weaves haunting images, scenes and stories from within the institution walls.

Sidestepping conventional documentary methods for a heightened cinematic approach to storytelling, filmmakers Brian M. Cassidy and Melanie Shatzky employ lyrical realism and black humor in this charged portrait of fading bodies and minds.

The black humor part has me wary — do they mean we are to laugh at these people? — and also all the more curious, for the same reason.

Teaser Trailer #2:

Teaser Trailer #1:

Clip:

Be sure to visit the TIFF listing for more stills and the fest’s own synopsis.

After seeing the film at Sundance, I wrote the following in my Cinematical recap:

Many Sundance attendees fell for Special Jury winner ‘Being Elmo: A Puppeteer’s Journey,’ but it’s probably too short and simple to be a substantial theatrical title. And while kids seemed to enjoy it out in Park City, I don’t know that a documentary about the guy who operates their favorite Muppet is as appealing as simply watching ‘Sesame Street’ or an Elmo home video.

I still think it’s worth waiting for the small screen options on this one, though New Yorkers might want to check it out earlier at the Museum of the Moving Image on September 25, as part of the screenings in conjunction with the current Jim Henson’s Fantastic World exhibit. Clash (with Elmo) and Marks will be in person for that. From what I can tell, it’s a better film if you get to meet the little red Muppet afterward, which I missed out on.

Below are two new videos advertising the doc’s April 2012 premiere on PBS’ “Independent Lens” series. I love Elmo’s answer about his favorite food. Reminds me of his recent guest appearance on “Top Chef.”

The original “Quantum,” which features narration by David Duchovny, follows the Caltech Beavers at the end of the 2006 basketball season. Known as maybe the worst college team ever, the Beavers had at the time not won a conference game in 21 years, or any game in 11. Of course, they go to Caltech, so they’re total nerds, but perhaps they just needed the right coach… You get the picture, but you likely haven’t seen the film, and that’s probably to Disney and Red Hour’s preference. Theatrically the doc earned only $7,000 and it’s currently not even on Netflix. It is on DVD (and Amazon VOD), however, so Netflix’s status is part of the annoying issue I wrote about recently in my Movies.com column (everyone click the “save” button on the “Quantum Hoops” page now). I haven’t seen it yet either, but I’m still curious who they’ll get to star, as coach Roy Dow (seen in this video), as I can’t think of a single actor who resembles the guy. Maybe it’s the baldness that’s throwing me off.

Check out the trailer for the original “Quantum Hoops” after the jump.

[via Collider]

The other Sarah Palin documentary, “The Undefeated,” hasn’t been a huge hit, though its gross is not awful for a non-fiction release, especially one so right-leaning. Could a lefty take on the former Vice President candidate do better? We’ll have to wait a bit, as Nick Broomfield‘s “Sarah Palin: You Betcha!” doesn’t even hit the festival circuit until next month, when it premieres in Toronto. I can see it being the filmmaker’s highest grossing doc since 1998′s “Kurt & Courtney,” which would put it well above the pro-Palin doc, if it can garner some positive reviews and decent distribution (Arc Entertainment holds U.S. rights) that sells it as a Michael Moore-ish doc.

And based on the first “teaser” clips, that shouldn’t be too hard. I prefer Broomfield’s sensationalist shtick to Moore’s, because he aims less for laughs and tends to seem genuinely a curious, albeit emotionally distanced, investigator in spite of his reputation for paying interviewees and hawking conspiracy theories. But it’s also hard to imagine he’s gotten much of substance here that other journalists have failed to get. Unless Broomfield has found people to testify that Palin shot both Kurt Cobain and Biggie Smalls and is currently hiding Tupac in her home — and I’m sure Broomfield could — I don’t even know how entertaining or interesting it will be compared to the filmmaker’s past works. I’m bracing for disappointment yet I also can’t help anticipating his first feature doc in five years, following a great two-film jump into narrative works.

Check out the two new clips after the jump.

First we have the very Moore-ish clip that hit the blogs last week, where Broomfield is seen obviously fruitlessly confronting Palin at a Q&A event:

Another video, which WordPress won’t let me embed, can be found over at Anthony Kaufman’s ReelPolitik blog. It’s a more familiar-looking clip displaying the usual Broomfield style of interview. There we have John Bitney, Palin’s former Legislative Director, and Alaska Senator Lyda Green. Still nothing too telling, so we’ll have to wait and see next month if there’s anything more.

I excitedly started following “Superheroes” in early January, in anticipation of its Slamdance unveiling. From there I reviewed the doc for Cinematical, in which I noted it’d be popular enough through VOD and online outlets. HBO is an even greater place for it to debut. Here’s an excerpt from the review:

The film doesn’t exactly mean to make fun of the characters, but it is easy to laugh at much of what they do and say in the film. Some, like Master Legend are sillier and less intelligent than others. But I have to admit to feeling guilty in finding humor in their idiocy, just as I’m led to feel at the end of ‘Dinner for Schmucks.’ It’s okay, though, since a lot of the RLSH represented don’t seem to mind being viewed as a joke as long as they’re visible and can thereby bring awareness to the causes they’re fighting for.

Often ‘Superheroes’ comes off as also being more about the problems of the world than the costumed crusaders on screen. Through people like “Zetaman,” “Life,” “Mr. Extreme” and the simply named “Super Hero,” we are made to think about the issues of homelessness and violent crime, as well as police corruption and bureaucracy that lead to the necessity for these RLSHs to pop up in cities across the nation.

Watch the film’s trailer and a bunch of clips after the jump, and hopefully you’ll tune in tonight at 9pm for more.

Co-directed by Alison Ellwood, the doc chronicles Kesey’s cross-country road trip with his Merry Pranksters and their rainbow-colored bus, Further, in 1964. It has actually been on VOD for over a month now, so I guess this isn’t the first time regular eyes have their chance to see it. Anyway, I reviewed the flick back in March from the Miami International Film Festival, and here’s an excerpt:

I don’t see the point. Is its supposed to be a Kesey biopic? Another unneeded celebration of the 60s? A pseudo adaptation of Wolfe’s book? I guess we can later appreciate this doc more once an actual dramatic adaptation of “Electric Kool-Aid” is produced as promised/threatened.

If that doesn’t keep you away, go ahead and check it out. As with most of my reviews, I’ll provide a trio of ingredients:

Recommended If You Like: Tom Wolfe’s “The Electric Kool-Aid Acid Test”; romanticizing the 1960s; Gibney’s “Gonzo: The Life and Work of Dr. Hunter S. Thompson”

The fact that it’s not necessarily a display of comprehension does correlate Koran recitation to spelling bees, making “Koran by Heart” more akin to “Spellbound” than most competitive docs likened to Jeffrey Blitz’s 2002 exemplar. But the contest here is also a metaphor for contention among Muslims throughout the world regarding proper observance of the text and Islam in general. Many of the competitors, including the three that Barker focuses on, do not speak Arabic. So while they may have an understanding of the teachings of Islam, they don’t know what they’re literally chanting when they recite the text in the Arabic language. Equate this with followers of any religion who either don’t fully know or fully obey the doctrine of their faith. Or, to followers who believe and live one way that is perceived as ignorant or incorrect by other followers. The irony of the analogy, however, is that there is only one perfectly accepted way to recite the Koran.

The film premieres as part of HBO’s summer doc series at 9pm. It’ll also be on demand and on HBO GO through 9/11. See it.

The 2001 Sundance-winning film follows Robert Eads, a transgender man with ovarian cancer, as he and his sweetheart, Lola Cola, head to Atlanta’s annual Southern Comfort Conference for transgendered individuals. The stage version will feature a folk-bluegrass score from Julianne Wick Davis and a book and lyrics by Dan Collins. You can check out the songs on Last.fm. ArtsBeat claims Annette O’Toole stars, but I think she was only involved with a reading that took place months ago (she read the Eads part). As far as I can tell the official cast is not yet available.

The show begins a limited run at CAP21 in NYC beginning October 5th and tickets are on sale. For now, check out a “trailer” (really just a clip) after the jump.

It seems the time for docs about Wall Street villains is over. “Inside Job” won the Oscar, its weak British cousin, “The Flaw,” already left on the wayside. And Alex Gibney doesn’t appear to have any films involving finance out anytime soon (of course he could rise out of nowhere with one). But here’s “Chasing Madoff,” which looks kind of like a Gibney doc while sounding like a movie in which Ben Affleck tries to woo ex-NASDAQ Chairman Bernie Madoff despite the fact he’s not into dudes.

That title is changed from the book it’s based upon, Harry Markopolis’ “No One Would Listen: A True Financial Thriller,” but it fits (unlike former title “The Foxhounds”). The doc is about Markopopis chasing Madoff, in the form of his whistleblowing investigation that too long was disregarded and blocked. On screen, Markopolis’ testimonial appears to be the foundation for the film to work, and based on the trailer he seems like he could carry it well.

Hopefully I don’t get scammed and the doc, directed by Jeff Prosserman, is actually as good as it looks. We’ll see when the film opens in major cities August 26.