Doc News: Ryan Reynolds, “Tabloid” Refuted, “The Life of Muhammad” Attacked

– The attention-hungry subject of Errol Morris’ “Tabloid,” Joyce McKinney, showed up at a Museum of Modern Art screening last week to refute the parts of her story the film allegedly gets wrong, according to Peter Labuza’s blog. She also claimed to be upset about everyone laughing at her expense, just as she had done at the infamous DOC NYC screening I attended last fall (see video of that one after the jump). I can’t say I disagree entirely that the film exploits and makes fun of its character a bit much, but she’s not exactly proving herself undeserving of scrutiny by hammily egging us all on like this. Little does she realize, I guess, is that in addition to her own personal agenda and attention-seeking, she’s also just making people more interested in the film. Hopefully she will regularly turn out for screenings (perhaps she could clone herself?) when IFC releases the doc July 15. [via IFC News]

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Doc News: “The Thin Blue Line”, R.J. Cutler, Cee Lo Green

– Last week Errol Morris tweeted the first major report of the passing of Randall Dale Adams, who had died of a brain tumor in October at age 61. Adams was one of the two main subjects of Morris’ classic “The Thin Blue Line,” he being the wrongfully imprisoned man who was exonerated in part by the film itself. He had spent 12 years behind bars for a Dallas police officer’s murder he didn’t commit. After his release he sued the filmmaker over the rights to his story, which seemed a bit like biting the hand that unlocks your prison cell, and after that he disappeared from limelight (Morris stopped talking to him after the legal matter) and apparently ended up in Ohio, in a city called Washington Court House, where he died. Since Morris’ tweet more lengthy reports and obituaries, such as this one in the NY Times, have gone out. One of the most famous documentary figures of all time, it’s sad to hear this news. If you’ve somehow never seen “Thin Blue Line,” it’s on Netflix Instant. In lieu of a decent clip from the film, check out a bit of Philip Glass’s score after the jump, specifically “Adams’ Theme.”