Doc News: Herzog, New Academy Membership, Silverdocs, Ryan Dunn

– Werner Herzog‘s next documentary has been retitled from “Death Row” to “Gazing Into the Abyss: A Tale of Death, a Tale of Life” and has been picked up by ZDF Enterprises for worldwide TV rights and theatrical distribution outside the U.S. and UK. The filmmaker is quoted by Variety as describing the film as “a gaze into the abyss of the human soul,” though more literally it involves interviews with Texan death row inmates, including: “two men convicted of triple murder, another who killed his girlfriend and her two mentally retarded sons, and a woman — one of only 10 on Texas’ death row — charged with abducting a newborn baby and killing the child’s mother.”

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Doc Talk: Oscar Winners vs. Classic Documentaries

Doc Talk is a bi-weekly column at dedicated to non-fiction cinema.

Which film is more likely to become a documentary classic, ‘Inside Job’ or ‘Exit Through the Gift Shop’? Regardless of our preference, we can all agree Banksy’s Oscar-losing fan favorite is a more timeless story and will likely be more enjoyable with repeat viewings. Charles Ferguson’s Academy Award-winning look at the financial crisis will certainly remain a great piece of historical document but probably won’t be revisited often for entertainment or artistic value. And sadly, like many timely docs, it could even one day be forgotten, like Lee Grant’s 1986 Oscar-winning Reagonomics critique ‘Down and Out in America,’ which is pretty obscure only 25 years later.

Before announcing the Best Picture winner Sunday night, Steven Spielberg made a comment clearly meant to appease Team ‘The Social Network’ by implying that losing the award still puts a film in good company (his examples being ‘Grapes of Wrath,’ ‘Citizen Kane,’ ‘The Graduate’ and ‘Raging Bull’). The same goes for the Best Documentary Feature award. ‘Inside Job’ joins the likes of ‘Woodstock,’ ‘Hearts and Minds,’ ‘Bowling for Columbine’ and ‘Man on Wire.’ ‘Exit,’ meanwhile, joins a group including ‘In the Year of the Pig,’ ‘Streetwise,’ ‘Capturing the Friedmans’ and ‘Encounters at the End of the World.’

Continue reading this column at Cinematical.

“Exit” Wins Eddie, Forecasts Oscar Success

Following their win at the Cinema Eye Honors last month, Exit Through the Gift Shop editors Tom Fulford and Chris King picked up the Eddie for best editing of a documentary last night. As I’ve always said, it’s really the editing that makes a great doc, and while I don’t love Exit (I like it) I can assume why it is as good as it is has a lot to do with Fulford and King shaping the story out of Thierry’s initial pile of tapes (surely a thankless assistant deserves recognition for logging all that material) and Bansky’s amateur direction (amateur as in first time, not weak). So kudos to them!

Now it seems more likely Exit will get the Oscar for Best Documentary (Feature). Of the last five Academy Award winners in the category, only one did not first win an Eddie — Taxi to the Darkside had not received a nomination from ACE, so Sicko won the Eddie in 2008. The stats going further back, however, show only 6 out of the last ten Oscar winners pregaming with an Eddie win.

I still expect Exit to lose, and not just because its title kind of sounds like Taxi’s. But I also still want it to win, and not just because it is edited well. See my Oscar prediction at Cinematical for more about that.